LA Story: Architecture’s Role In Solving The Affordability Crisis

Crises, by their nature, define moments of passage where one of only two outcomes are possible: things get better or they get worse. There’s no staying the same.

New York Times architecture critic Michael Kimmelman spotlights winners of LA’s vaunted “Low Rise” architecture competition in light of an overarching gorilla-in-the-room question: “Can design help in solving LA’s housing affordability crisis?”

Kimmelman phrases the challenge like this:

Can California’s biggest city — and possibly America’s least affordable one — redesign its way out of the housing crisis?

As a set-up context to explore inspired and inspiring architectural concepts, Kimmelman energizes the narrative’s drama, whose plotline hews to a central theme: architecture as a solution for social, policy, economic, and cultural challenge. He writes:

The trajectory of housing in Los Angeles during the later years of the last century paralleled that of many other American cities where density came to be equated with urban decline and white residents resorted to redlining and other racially restrictive practices to keep out Black people and immigrants. Slow-growth policies, in Los Angeles’s case fueled especially by fears of Manhattanization, slammed on the brakes for multifamily housing construction. Single-family zoning became the norm. Leaning into its freeway system and an environmentally oblivious mythology of the desert as an endless terrain for exurban expansion, Los Angeles, by 2010, had shrunk its zoning envelope to 4.3 million people.

The power of architectural brilliance – captured in the “Low Rise” winning entrants’ on-the-boards visions – figures as an essential role-player in housing as a solution across an array of societal inequities, unbalances, friction, ugliness.

Without architecture, no solution can possibly excite diverse and inevitably oppositional human interests to work together to expand healthy, decent, supportive housing access for more people soon.

Architecture by itself, however, can not be expected to tip the forces of money and power and control necessary to spark political will, move capital investment, bring win-win talent and resolve to a no-win, self-perpetuating cycle, whose superficial and fake debate poses environmental stewardship against access to decent homes and sustainable communities.

Design, probably like no other tool, sparks human beings’ primal homing instinct. It belongs in the mix – as does transformative land-use policy and more-advanced construction technology, augmented by data that validates equity-bound capital investment – as a sine qua non capability.

To Kimmelman’s question, can LA “redesign” its way out of the crushing throes of a housing crisis that threatens the great city’s dynamism, we’d say yes.

But not if redesign means architecture alone. Redesigned policy, redesigned building technology models, redesigned capital investment models, redesigned public-private partnerships, redesigned social compacts, and redesigned precepts of justice go with the turf.

The possibility and potential of all that redesign can tap architects as a source of clarity of vision, of sustaining impetus, and of cohesion among disparate forces.

Gertrude Stein was referring to her childhood home in Oakland – not LA – with an iconic line. “There is no there there.”

Redesign, in all its range of meanings, can more “there” there in LA.

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